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The pigments for permanent make-up of the trade mark A. SIVAK

We present to your attention the certified pigments of Russian production created by the master of permanent make-up Alexander Sivak. 

The pigments for permanent make-up are in-dangerous, twang, hypoallergenic without dye used in chemical industry. To produce them we use only high-quality ingredients!

The pigments correspond to the requests of normative documents TU9158-001-38405320-2016.

The pigments are produced by unique formulation. They are washy enough, economical, the colors are deep, big number of the pigment penetrates into skin that allows to do minimal number of procedures. The pallet is approximated to natural tints for the permanent make-up. There is no need to dilute the pigments. They can be mixed among to get different number of tints. They befit to any type of skin and also to machine techniques. Before using we recommend to shake the tube thoroughly. Pull-date of the pigments is 2 years. 

The pigment color after healing depends on the following factors:

  • color of skin;
  • depth of entering the skin;
  • proportion of the pigment in the skin;
  • currency of wearing permanent make-up.

The pigment for eyelids.

BLACK MAGIC - black deep color after healing. Easily enters the skin. The pigment remnants are wiped from skin without any effort. Can be used for shading effects and for any other technique. The consistence is washy. In the eyelid zone we recommend to work carefully. This pigment is based on carbon black.

The pigments for eyebrows

DARK CHOCOLATE - the darkest tint of brown for eyebrows. Can be used for dark-haired people or for any person who wants bright eyebrows. Depending on the technique the effect can be half-transparent or thick. 

ASH SAND - fair tint of brown, cool. Good for fair-haired, cold blonds, grey-haired. Depending on the technique the effect can be half-transparent or thick. Mixing with darker tints it is possible to get brighter eyebrows.

COFFEE - dark tint of brown. Can be used for dark-haired people or for any person who wants bright eyebrows. Depending on the technique the effect can be half-transparent or thick. 

HAZELNUT - tint of brown. Good for both fair-haired and dark-haired people. Optimal variant to use for neutral and warm blond and chestnut-haired. Depending on the technique the effect can be half-transparent or thick. 

DARK CHESTNUT - mid-brown color, good for olive-colored skin. Depending on the technique the effect can be half-transparent or thick. 

The pigments for lips

FIRST KISS - natural pink tint for lips. Soft color, good both for linear and shading techniques. Depending on the technique the effect can be half-transparent or thick. Ready to use.

PEARL FUCHSIA - damask with pink tint for lips. Can be used in pure form for linear or fully shading techniques. While mixing with other lip color gives deepness. Depending on the technique the effect can be half-transparent or thick. Ready to use.

SAKURA PETAL - soft pink caramel color for lips. Perfect for maximally natural effect. Depending on the technique the effect can be half-transparent or thick. Ready to use.

RIPE CHERRY - deep scarlet color, the brightest in the palette. Depending on the technique the effect can be half-transparent or thick. Ready to use.

PINK FLAMINGO - pink color. Maximally suitable for lips, cold. Depending on the technique the effect can be half-transparent or thick. Ready to use.

BURNING ROSE - soft pink color for lips. Maximally natural. Depending on the technique the effect can be half-transparent or thick. Ready to use.

TEA ROSE - cream-caramel color for lips with beige tint. The fairest color in the line. Depending on the technique the effect can be half-transparent or thick. Ready to use.

The pigments for areola

STRAWBERRY CREAM - soft, half-transparent pink color for areola. Also good for half-transparent effect on lips. Depending on the technique the effect can be half-transparent or thick. Ready to use. 

PINK PASTEL - tint of pink, frosted, very esthetic color for areola. Also good for half-transparent effect on lips. Depending on the technique the effect can be half-transparent or thick. Ready to use.

CREAM ROSE - creamy brown tint for areola. Good for different techniques of shadowing. Also can be used for linear shading on lips. Depending on the technique the effect can be half-transparent or thick. Ready to use.

The pigment for camouflage

VANILLA COCKTAIL - creamy color with grey tint. Good for cosmetic camouflage of scars both on body and face. Depending on the technique the effect can be half-transparent or thick. 

The pigment for effects.

WHITE LILY - white color, pure. Good for different effects in permanent make-up of eyelids, eyebrows and lips. Helps to make 3D effect and also different effects of areola creation. We don't recommend to add this color into another pigments. Depending on the technique the effect can be half-transparent or thick. 

The correctors.

Very often we have to correct the work of another master, in that case we need pigments-correctors. But certainly the best variant is to remove with the help of laser or tattoo-remover.

ORANGE - corrector for blue lips.

We recommend to add into basic color 50/50. As a result blue tint is neutralized.

LEMON - corrector for violet lips. We recommend to add into basic color 50/50. As a result violet tint is neutralized.

OLIVE - corrector for red eyebrows. Can be used in pure form at first procedure to cover red eyebrows. As a result grey tint can be achieved.

COCONUT - corrector for grey eyebrows. Can be used in pure form at first procedure to cover grey eyebrows. As a result warm brown tint can be achieved.

New set of pigments for permanent make-up “PRO-SET”.

ESPRESSO - the unique pigment for eyelids with dark-brown tint. Easily enters the skin. The pigment remnants are wiped from skin without any effort. Can be used for shading effects and for any other technique. The consistence is washy. In the eyelid zone we recommend to work carefully.

MOKKO - rich brown tint, the darkest color for eyebrows from the PRO-SET line. Good for dark-haired people and for any person who wants bright eyebrows. Depending on the technique the effect can be half-transparent or thick. Ready to use.

CURRY - warm tint of brown. Good both for dark-haired and blond-haired people. Optimal variant to use for neutral and warm blond and chestnut-haired. Depending on the technique the effect can be half-transparent or thick. Ready to use.

PEONY - soft and also deep, scarlet, the brightest color in the pallet for lip. Depending on the technique the effect can be half-transparent or thick. Ready to use.

CRIMSON MOUSSE - soft and subtle tint of pink. Maximally natural. Depending on the technique the effect can be half-transparent or thick. Ready to use.

Important!!!

For the linear techniques of permanent make-up (contour, microblading) it is better to work with the needle on the tilt 90 grades  according to working area. In this case pigment will run minimally.

For shading techniques it’s better to work on the tilt 45 grades according to working area.

In this case pigment will run maximally that allows to make more soft and equable coloration of skin.

If the pigment enters the epidermis after healing there will be no pigment in skin, because epidermis absolutely renovates. To achieve the quality of the color and its remains it’s important to work formally in the high layer of the skin (papillary).